The Exiles chronicles a night in the life of a group of 20-something Native Americans who left reservation life in the 1950s to live in the Bunker Hill district of Los Angeles. The film is is a narrative feature with a script that was pieced together from interviews with the documentary subjects.
Like Charles Burnett's Killer of Sheep, The Exiles is a gritty and poetic, frills-free depiction of a marginalized Los Angeles community. Both films did not get theatrical release; were featured in Thom Andersen’s film Los Angeles Plays Itself; and were restored by Ross Lipman at the UCLA Film & Television Archives.
Although an outsider to the community he was documenting, filmmaker Kent Mackenzie involved his cast in the writing and filming process, curbing any tendencies towards sentimentalism and fetishization that often emerge in attempts to represent "the other." Sadly, The Exiles did not find a distributor willing to risk putting it out theatrically, and over the years the film remained largely unseen, including by Native American communities.
The Exiles: The Deluxe Edition includes four short films by Mackenzie including his famed Bunker Hill 1956, clips from Thom Andersen's Los Angeles Plays Itself, commentary track by Sherman Alexie and Sean Axmaker, James Young Deer's White Fawn's Devotion (1911), Leonard Lopate's interview with Charles Burnett and Sherman Alexie, and more!
Listen to Sherman Alexie, Charles Burnett and Milestone's Dennis Doros talking about THE EXILES on WNYC's Leonard Lopate Show!
Listen to Susan Stone and Amy Heller on NPR's All Things Considered
Also available in 35mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.