The Exiles chronicles a night in the life of a group of 20-something Native Americans who left reservation life in the 1950s to live in the Bunker Hill district of Los Angeles. The film is is a narrative feature with a script that was pieced together from interviews with the documentary subjects.
Like Charles Burnett's Killer of Sheep, The Exiles is a gritty and poetic, frills-free depiction of a marginalized Los Angeles community. Both films did not get theatrical release; were featured in Thom Andersen’s film Los Angeles Plays Itself; and were restored by Ross Lipman at the UCLA Film & Television Archives.
Although an outsider to the community he was documenting, filmmaker Kent Mackenzie involved his cast in the writing and filming process, curbing any tendencies towards sentimentalism and fetishization that often emerge in attempts to represent "the other." Sadly, The Exiles did not find a distributor willing to risk putting it out theatrically, and over the years the film remained largely unseen, including by Native American communities.
The Exiles: The Deluxe Edition includes four short films by Mackenzie including his famed Bunker Hill 1956, clips from Thom Andersen's Los Angeles Plays Itself, commentary track by Sherman Alexie and Sean Axmaker, James Young Deer's White Fawn's Devotion (1911), Leonard Lopate's interview with Charles Burnett and Sherman Alexie, and more!
Listen to Sherman Alexie, Charles Burnett and Milestone's Dennis Doros talking about THE EXILES on WNYC's Leonard Lopate Show!
Listen to Susan Stone and Amy Heller on NPR's All Things Considered
Also available in 35mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!
An Explanation of Home, Classroom, and Public Performance Rights
US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied. These rights are for on-site use only per the license agreement.
Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email firstname.lastname@example.org.
US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or email@example.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.