In the Land of the Head Hunters
In 1911, as part of his massive undertaking, famed Northwest photographer Edward S. Curtis travelled to Vancouver Island, British Columbia, to visit the Kwakwaka'wakw. By the next year, needing money for his project and to add to his research and still photography work, Curtis decided that the best way to record the traditional way of life and ceremonies of the Kwakwaka'wakw was to make one of the first feature motion pictures. Curtis had already shot footage in 1906 of the Hopi Snake dance, which he had previously showed during his talks, but this was to be on a grander scale. It took three years of preparation for this one film including the weaving of the costumes; building of the war canoes, housefronts, poles; and the carving of masks. Assisting on the film was George Hunt, a Kwakwaka'wakw who had served as an interpreter for the famous anthropologist Franz Boas nearly twenty years before. Hunt helped contribute substantial portions of the film’s story as well.
Selected for the National Film Registry by the Library of Congress, this early Native American drama/documentary released in 1914 is an amazing film produced in collaboration with the tribe members. The story of love and revenge among the Kwakwaka'wakw of British Columbia, Motana, the son of a great chief, goes on a vigil journey. Through fasting and hardships he hopes to gain supernatural strength which will make him a chief as powerful as his father. Curtis showcases the Kwakwaka'wakw's magnifcent war canoes, totem poles, rituals, costumes and dancing.
To prepare for the centennial of the film's release, Milestone worked with the UCLA Film and Television Archive, the Field Museum of Natural History, the U'Mista Cultural Center and Professors Aaron Glass and Brad Evans to produce a deluxe edition of the restored, original version of the film!
Two-Disc Deluxe Blu-ray or DVD edition features:
In the Land of the Head Hunters (Restoration of the 1914 version with original musical score, 66 mins, Tinted)
In the Land of the War Canoes (1973 version by Bill Holm & George Quimby, 44 mins, B&W)
The Image Maker and the Indians. Making-of documentary by Holm and Quimby (1979. Color, 16 mins.)
Turning Point Ensemble and the score (2013, Color, 3 mins.)
Optional English subtitles for the Kwak’wala dialogue on the In the Land of the War Canoes soundtrack*
Documents of Encounter: The Head Hunters Reconstruction Project. (2014. Video, 38 mins.)*
Cultural Presentation by the Gwa’wina Dancers. (2008. Color, 83 mins.)*
Commentary Track featuring Bill Holm, Andy Everson, and Aaron Glass, Edited by Keith Sanborn*
Still Gallery, courtesy of the University of Washington Burke Museum of Natural History and Culture and Mick Gidley
*New bonus features produced by Aaron Glass, Brad Evans and the U’mista Cultural Centre.
An Explanation of Home, Classroom, and Public Performance Rights
US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied. These rights are for on-site use only per the license agreement.
Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email firstname.lastname@example.org.
US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or email@example.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.