Milestone Films

I Am Cuba

$249.95

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The 2019 I AM CUBA trailer!

 

Newly Restored in 4K by Milestone!

Milestone Films first released Mikhail Kalatozov’s deliriously beautiful masterpiece, I Am Cuba in 1995. Now, decades later, we are delighted to have been able to create a brand new 4K restoration of the film from original 35mm fine grain masters we purchased so long ago. The newly restored I Am Cuba is even more ravishing and surreal — the improved visuals and the single-language soundtrack allow viewers to experience the film’s extraordinary cinematography, sound editing, and narrative power. Audiences will have no question why this film revolutionized filmmaking in the 1990s and beyond.

Produced by Mosfilm and ICAIC, this film was started only a week after the Cuban missile crisis and was designed to be Cuba’s answer to both Sergei Eisenstein’s propaganda masterpiece, Potemkin and Jean-Luc Godard’s freewheeling romance, Breathless. But I Am Cuba turned out to be something quite unique — a wildly schizophrenic celebration of Communist iconography, mixing Slavic solemnity with Latin sensuality. The plot, or rather plots, feverishly explore the seductive, decadent (and marvelously photogenic) world of Batista’s Cuba — deliriously juxtaposing images of rich Americans and bikini-clad beauties sipping cocktails poolside with scenes of ramshackle slums filled with hungry children and gaunt old people.

Using wide-angle lenses that distort and magnify and filters that transform palm trees into giant white feathers, cinematographer Sergei Urusevsky’s acrobatic camera achieves wild gravity-defying angles as it glides effortlessly through long continuous shots. But I Am Cuba is not just a catalog of bravura technique — it also succeeds in exploring the innermost feelings of the characters and their often desperate situations. Shown unsubtitled at the San Francisco International Film Festival, I Am Cuba received two standing ovations — during the screening. The first movie ever jointly presented by master filmmakers Martin Scorsese and Francis Ford Coppola, I Am Cuba is one of the great discoveries in cinema. It will change your view of cinema forever!

Available for screenings in 4K DCP, DVD, Blu-ray, Digital file and both 16mm and 35mm prints. Contact Milestone for price and availability!

Although not currently available for home use, the DVD and Blu-ray of I Am Cuba are available for Institutional Purchase, which includes public performance rights and a 3-year streaming license.

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing DVDs, DVD-Rs, or Blu-rays — or streaming — at published home-use sale and rental prices are authorized to use the film only for private home screenings and legitimate classroom showings (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.

STANDARD INSTITUTIONAL LICENSING

  • CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
  • PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
  • DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
  • K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus. 

For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: egrosso@kinolorber.com

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing egrosso@kinolorber.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: jhertzberg@kinolorber.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting jhertzberg@kinolorber.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.

 

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