Milestone Films

On the Bowery

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ON THE BOWERY chronicles three days in the drinking life of Ray Salyer, a part-time railroad worker adrift on New York’s skid row, the Bowery. When the film first opened it 1956, it exploded on the screen, burning away years of Hollywood artifice, jump-starting the post-war American independent scene and earning an Oscar nomination. Restored by the Cineteca di Bologna, ON THE BOWERY is simultaneously an incredible document of a bygone era and a vivid and devastating portrait of addiction that resonates today just as it did when it was made.

For songwriter Woody Guthrie, his guitar was a machine that “kills fascists.” For Lionel Rogosin, the weapon of choice was a movie camera and his first battle was waged on the streets of New York City. Exploring the underworld of the city’s skid row, Rogosin developed his signature style. After months drinking with men he met on the Bowery, Rogosin worked with them to write a screenplay that reflected their lives and then cast his drinking buddies as themselves.

Selected: 2008 National Film Registry by the Library of Congress

Winner: 2010 National Society of Film Critics’ Film Heritage Award

Also on the BluRay and DVD:

GOOD TIMES, WONDERFUL TIMES was Rogosin’s plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party’s mundane chatter. GOOD TIMES, WONDERFUL TIMES was released in 1964, at the height of the Vietnam War, and became one of the great anti-war films of the era. 

OUT, a documentary by Rogosin made for the United Nations, tells the plight of Hungarian refugees fleeing to Austria in the aftermath of the Hungarian Revolution of 1956. 

Three films by Lionel Rogosin’s son Michael: THE PERFECT TEAM: THE MAKING OF ON THE BOWERY, A WALK THROUGH THE BOWERY and MAN’S PERIL: THE MAKING OF GOOD TIMES, WONDERFUL TIMES.

BOWERY MEN’S SHELTER, directed by Rhody Streeter and Tony Ganz (1972).

STREET OF FORGOTTEN MEN (1935)

 

 

 

Also available in 35mm prints for Theatrical and Nontheatrical screenings. Contact Milestone for more information.

 

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 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied.These rights are for on-site use only per the license agreement. For more information on 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email amy@milestonefilms.com. 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email amy@milestonefilms.com. 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing amy@milestonefilms.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or amy@milestonefilms.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting amy@milestonefilms.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.

 

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