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Remembered mostly for his magnificent performance as the Japanese officer in The Bridge over the River Kwai, few filmgoers realize that Sessue Hayakawa was one of the great stars of the silent cinema. In many films he played a dashing, romantic lead — a rarity for Asian actors in Hollywood, even today. Hayakawa became so popular and powerful that he was able to start Haworth Pictures to control his own destiny. The Dragon Painter (1919) was the finest of the Haworth productions. Beautifully acted, gorgeously shot (with Yosemite Valley filling in for the Japanese landscape), and lovingly directed, the film is an absolute marvel.
Hayakawa plays Tatsu, an artist living as a hermit in the wilds of Japan. Thought mad by the local villagers, he believes that his princess fiancée has been captured by a dragon. His obsession leads to artistic inspiration. It isn’t until a surveyor comes across Tatsu in the mountains that his genius is discovered. The surveyor informs the famed artist Kano Indara about his discovery. Kano is desperate to find a male heir to teach his art, but when Tatsu meets Kano’s daughter (played by Hayakawa’s wife, Tsuru Aoki) and sees only his lost princess, a clash of wills brings the household to the brink of disaster.
Long considered lost, The Dragon Painter was rediscovered in a French distribution print and brought to the George Eastman House for restoration with the original tints. The film survives today as a tribute to Hayakawa’s great artistry and a shining example of Asian-American cinema. The Japanese score by Mark Izu is a remarkable work of art complimenting the film perfectly!
IL CINEMA RITROVATO - DVD AWARDS 2008 Special Mention
With The Dragon Painter, the DVD boasts the full-length feature, Thomas Ince’s The Wrath of the Gods (1914), starring Sessue Hayakawa, Tsuru Aoki and Frank Borzage. Restored tinted print courtesy of George Eastman House.
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.