Milestone Films

Electric Edwardians: The Films of Mitchell & Kenyon

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In the earliest years of the twentieth century, enterprising traveling showmen in the north of England hired pioneer filmmakers Sagar Mitchell and James Kenyon to shoot footage of local people going about their everyday activities. These films would be shown later at nearby fairgrounds, town halls and neighborhood theaters. Workers, school children, sports fans and seaside vacationers all flocked to see themselves miraculously captured on screen!

The astonishing discovery of the original Mitchell & Kenyon negatives in Blackburn, England — in a basement about to be demolished — has been described as film’s equivalent of Tutankhamen’s tomb. Preserved and restored by the bfi National Film and Television Archive in collaboration with the University of Sheffield National Fairground Archive and featuring a hauntingly beautiful score by In The Nursery, this treasure trove of extraordinary footage provides an unparalleled record of everyday life in the years before World War I. Mesmerizing scenes of trolley cars and crowded streets, soccer matches, temperance parades, throngs of workers leaving the factory and a myriad of simple pleasures transport us to another — lost — world. The effect is as if H.G. Wells’ marvelous time machine had come to life.

THE MUSIC The specially commissioned score for Electric Edwardians was written and performed by In The Nursery - the Sheffield-based musical project formed by twin brothers Klive and Nigel Humberstone. ITN's musical history spans more than two decades.

Bonus Features

Optional Voiceover Commentary by Dr. Vanessa Toulmin, National Fairground Archive, University of Sheffield

Filmed Interview With Vanessa Toulmin

“Pictures of Crowd Splendour” video introduction by Tom Gunning, University of Chicago

Featurette on the restoration of the films

“Diving Lucy” and additional shorts by Mitchell and Kenyon

This DVD is also available for Institutional Purchase, which includes public performance rights and a 3-year streaming license. Please click on the “Format” button and select “DVD Institutional Rate.”

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied.These rights are for on-site use only per the license agreement. For more information on 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email amy@milestonefilms.com. 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email amy@milestonefilms.com. 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing amy@milestonefilms.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or amy@milestonefilms.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting amy@milestonefilms.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.

 

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