Why Has Bodhi-Dharma Left For The East?: Director's Deluxe Edition
The first Korean feature to ever have theatrical distribution in the United States, Why Has Bodhi-Dharma Left for the East? has been acclaimed by critics and audiences around the world as a film of remarkable power and beauty. In a remote mountain monastery above a bustling city, an old Zen master, his conflicted young apprentice, and an orphaned boy live a life of quiet contemplation. The old master, nearing his end, wishes to make the ceremony of his death his final lesson to his apprentice, who is struggling to come to terms with the worldly life he left behind. Meanwhile the young boy has his own awakening to mortality as he attempts to nurse a bird he thoughtlessly injured with a stone. The title of the film is a Zen koan— a paradox meant to aid meditation—that provokes the question of the distinction between leaving and arriving. This magnificent film, quietly powerful and astonishingly rich in formal beauty, is not only a cinematic gem, but an evocative meditation on the cyclical nature of existence. Why Has Bodhi-Dharma Left for the East? does not seek to explain the tenets of Zen Buddhism so much as illuminate the mysteries of life that lie behind them. Milestone is pleased to present the definitive version of the film, with never before seen footage, remastered and painstakingly re-cut by the visionary director Bae Yong-kyun himself.
THE DIRECTOR'S DELUXE EDITION features a brand-new master with definitive director's cut including ten minutes of new footage, 16x9 enhanced for widescreen TV, Dolby digital 5.1 DTS, Dolby digital 2.0 stereo, improved English subtitles, as well as subtitles in English and Korean.
Also available in 35mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing email@example.com.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting email@example.com.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.