After It Happened Here opened to rave reviews but disasterous distribution from the Hollywood studio that had purchased the rights, it took Kevin Brownlow and Andrew Mollo eleven more years to screw up the courage to create this historical film. For audiences, however, it was worth the wait, as their re-creation of the story of Winstanley proved the pair to be two of the best British filmmakers of their era. Sadly, it was also to be their last collaboration. (So far!)
April 1, 1649. St. George's Hill. Surrey, England. A Reformation-era religious sect called the Diggers sets out to form a commune and till the soil on "common" land," which by law permits grazing - but not settlement and cultivation. Led by Gerard Winstanley, theirs is a nonviolent action to reclaim land for the poor who had been dispossessed by Oliver Cromwell's recent Civil War. But the local villagers see the Diggers' "occupation" as a threat to their livelihood and, led by the Presbyterian parson, John Platt, take action to harass and burn them out.
With Winstanley, Brownlow and Mollo set out to make an absolutely authentic historical film. They even used rare breeds of animals that dated back to the seventeenth century and borrowed armor for the battle scenes from the Tower or London. Basing their screenplay on Winstanley's writings (the same pamphlets which Marx read in the British Museum while forming his ideas on communism), they created an almost perfect dramatic rendering of the events.The DVD features a feature documentary on the making of Winstanley.
There are a limited number of DVDs left for sale (less than 50 total), so order soon!
Also available in 35mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing email@example.com.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting email@example.com.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.