Man Without a World, The
New Score by Donald Sosin and Alicia Svigals
THE MAN WITHOUT A WORLD is one of the most unusual, artistic, and fabulous films of the American Indie history. There is nothing else like it!
THE MAN WITHOUT A WORLD is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. A world-renowned artist, author, and performer, Antin has exhibited her work at major museums around the world. In her art. Antin explores history through the eyes of various personas, including Eleanor Nightingale (a nurse in the Crimean War) and Eleanora Antinova, the famous black ballerina in Diaghilev’s Ballet Russe who wanted to star in Swan Lake but was only allowed "ethnic" roles like Pocahontas. This great and fictional dancer also appeared in Antin's earlier work From the Archives of Modern Art and The Last Night of Rasputin, also distributed by Milestone. The film has an amazing cast and crew from the world of art, literature, and theatre including Pier Marton, Christine Berry, Anna Ruth Henriques, Nicolai Lennox, Sabato Fiorello, Marcia Goodman, Allan Kaprow, Jerome Rothenberg, David Antin, and Don Sommese.
The film is Antin’s “love letter” to her mother, a former actress in the Yiddish theater of Poland, who was suffering from Alzheimer’s disease at the time this film was created. Like the character Zevi in the film, Antin's mother yearned for the stages of Warsaw, but unlike him, she never made it to the big city. The film is also a love letter to the heyday of silent cinema.
THE MAN WITHOUT A WORLD is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
“I make seemingly old films in order to enter the lost world of the past from the inside, not to stand outside of it and see it as history. The technology of a film determines a large part of what the audience sees. A Hollywood costume drama holds the subject of the film at the conventional distance of representation. I want my audience to experience this world as if from inside — but at the same time — with a sense of the distance they have traveled to get there.” — Eleanor Antin
Also available in 4K DCP and 16mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!
This DVD is also available for Institutional Purchase, which includes public performance rights and a 3-year streaming license. Please click on the “Format” button and select “DVD Institutional Rate.”
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing email@example.com.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: firstname.lastname@example.org to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting email@example.com.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.