Milestone Films

Cruz Brothers and Miss Malloy

$249
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At the time of her death from cancer in 1988, Kathleen Collins was just 46 years old, but she was already an internationally renowned playwright, a popular professor (at New York’s City College) and a successful independent filmmaker. Her first film, The Cruz Brothers and Miss Malloy is an adaptation of a series of short stories by Henry H. Roth about three young Puerto Rican men whose lives are watched over by their father’s ghost. New York's rural Rockland County is an unlikely setting for the both the urban-born trio and the magic they encounter when they meet Miss Malloy, an elderly widow with a house that needs some loving care. 

Brothers Victor. Felipe and Jose are recent graduates of a local Catholic children’s school who have decided (counseled by their ghostly guardian) to stay in the quiet area. Although their home is rickety and decorated with old license plates, the brothers revel in their freedom, relative safety and togetherness. Victor, the oldest and the only brother who can hear his father's voice, keeps a running commentary on their lives by talking into a reel-to-reel tape recorder. When the brothers daringly cross a trestle bridge on the way to play basketball, they attract the attention of Miss Malloy, who follows them in her antique roadster. She salutes the three as fellow survivors and offers them work restoring her Victorian mansion overlooking the Hudson River so that she can host one last party before she dies.

The brothers take on the Herculean task—painting, cleaning and clearing the overgrown gardens. Miss Malloy ceremoniously serves the brothers ginger ale in silver champagne glasses and charms youngest brother, Jose. To send out invitations to the big party, she asks Victor to begin reading her the local phone book, because she say “everyone I know is dead.” The film—along with its three charming young stars—dances to composer Michael D. Minard’s great score.

The Cruz Brothers and Miss Malloy is a fresh and exciting discovery—not only is it one of the first films directed by an African-American woman, it is also one of the of the best celebrations of Puerto Rican culture in the Northeast US. And what a complete discovery this film is! The Cruz Brothers and Miss Malloy was never theatrically released, screened once on PBS and then disappeared. Twenty-five years after her mother’s death, Nina Collins rescued the original negative and created a beautiful new digital master of her mother’s film. 

 

Also available for theatrical and nontheatrical screenings in DVD and Blu-ray. 

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing DVDs, DVD-Rs, or Blu-rays — or streaming — at published home-use sale and rental prices are authorized to use the film only for private home screenings and legitimate classroom showings (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.

STANDARD INSTITUTIONAL LICENSING

  • CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
  • PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
  • DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
  • K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus. 

For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: egrosso@kinolorber.com

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing egrosso@kinolorber.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: jhertzberg@kinolorber.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting jhertzberg@kinolorber.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.

 

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