Milestone Films

Last Night of Rasputin, The

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This is the rediscovered film made in 1924 by the legendary Soviet silent film director, Yevgeny Antinov. "Despised by the modernists for his love of narrative, hated by the traditionalists for his modern techniques, disapproved of by the government for his self-indulgence and individualism, and ignored by their lackey scholars, he was loved only by the people." Along with his wife, the great African-American ballerina Eleanora Antinova, they created films that shocked the nation!

In other words, this film, its director and its star could only originate from the seductive world of famed modern artist Eleanor Antin! Beloved by audiences, scholars, and critics, Antin has had a art career spanning four decades that is almost as legendary and far more real than her alter-ego, Antinov.

Billed as "the final orgy and dreadful end of the notorious monk, Rasputin, on the eve of the Russian Revolution," THE LAST NIGHT OF RASPUTIN tells a story of pre-revolutionary Russia. Rasputin, confidante of the Tsarina, storms through St. Petersburg in endless orgies and bachannales. Into the aristocratic decadence come three friends from the productive classes - a worker, a student and a ballerina. The troika fall victim to evil doers but heroically triumph in the end.

Antin's film with intertitles and music, employs acting and film techniques that simulate a silent film supposedly produced in the Soviet Union in 1924 at the start of the Soviet film renaissance. Poetic, surprising and hilarious, Antin's beautifully shot and lit film is a joy to watch.

"Mayhem, murder, kidnapping, sex, and even cigarette smoking run riot through the film!" - Grace Glueck, New York Times


Also available in 16mm prints for theatrical and nontheatrical screenings. Contact Milestone for price and availability!


This DVD is also available for Institutional Purchase, which includes public performance rights and a 3-year streaming license. Please click on the “Format” button and select “DVD Institutional Rate.”

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.


US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied. These rights are for on-site use only per the license agreement. 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424

For public screenings, advertising materials can be requested by contacting

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.


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