Milestone Films

Magic Box: Project Shirley, The Volume 4

$34.99 $89.95
The Films of Shirley Clarke: 3 Disc Set AVAILABLE NOW!

SHIRLEY CLARKE was brilliant, scandalous, bold, and incredibly talented. Had she been a man, film historians would have long ago placed her in the pantheon of great auteurs, alongside Orson Welles and John Cassavetes. Today, her triumph can be recognized in her ability to be herself— one of the great originals of her time. A true artist, Clarke combined her innate impishness and sense of adventure with a dancer’s aesthetic and her tremendous drive to battle injustice to make films that dazzle, challenge, and beguile the audience. The Magic Box is the culmination of Milestone’s “Project Shirley” — an eight-year-long effort to explore the films and life of this extraordinary woman. Working with film archives and Clarke’s daughter Wendy, Milestone has been able to explore the wide range of the filmmaker’s output. The Magic Box includes Clarke’s Academy Award-winning documentary, Robert Frost: A Lover’s Quarrel With the World, experimental shorts, “lost” films, unfinished projects, outtakes, and a lifetime of home movies. Disc one highlights Clarke’s brilliant experimental works. Disc two compiles her gorgeous dance films. Disc three features Robert Frost: A Lover’s Quarrel With the World, Christopher and Me, and a wealth of home movies from Clarke’s long life. The Magic Box includes a brochure to put all her work in context and be a guide to the treasures that await.

THE MAGIC BOX: The films of Shirley Clarke, 1929-1987: PROJECT SHIRLEY VOLUME 4. B&W and Color. Magic Box Producers: Dennis Doros and Amy Heller. Thanks to Wendy Clarke, Wisconsin Center for Theater and Film Research, The Museum of Modern Art Film Department, the National Archives, the Anthology Film Archives, the UCLA Film and Television Archive, the Academy Film Archive, and Metropolis Post. Cover designed by Lauren Caddick.


1. Brussels Loops (58:52)

2. Bridges-Go-Round 1 (4:07)

3. Bridges-Go-Round 2 (4:16)

4. Scary Time (16:02)

5. Skyscraper (21:11)

6. Butterfly (3:41)

7. Tongues (20:22)

8. Savage/Love (26:20)

9. 24 Frames Per Second (2:59)

10. Three Video Variations on 24 Frames Per Second (11:39)


1. Shirley Dancing – A Photo Gallery (1:11)

2. Fear Flight (10:57)

3. Jelly Roll Morton (1:48)

4. Home Movies #20: Dance Tests (5:53)

5. Dance in the Sun (7:03)

6. In Paris Parks (13:46)

7. In Paris Parks Outtakes (9:08)

8. This Is Not In Paris Parks (14:20)

9. Decroux (15:30)

10. Bullfight (9:18)

11. Bullfight Outtakes (1:35)

12. Rose and the Players – Part 1 (13:19)

13. Rose and the Players – Part 2 (6:45)

14. A Moment in Love (9:06)

15. Four Journeys Into Mystic Time:  Initiation (28:13)

16. Four Journeys Into Mystic Time: Trans (7:38)

17. Four Journeys Into Mystic Time: One-Two-Three (8:20)

18. Four Journeys Into Mystic Time: Mysterium (13:52)


1. Robert Frost: A Lover’s Quarrel With The World (52:05)

2. Christopher and Me (16:00)

3. Shirley Brimberg Home Movies (When She Was Young) (5:46)

4. Home Movies #10 Wedding and Pregnancy (7:43)

5. Home Movies #18 Florida (4:59)

6. Home Movies #14 with Helen Tamiris and Uday Shankar (4:13)

7. Home Movies #15 Shirley with Camera (8:12)

8. Home Movies #16 Summer Camp and Edith Stein (11:06)

9. Television Interview: Shirley Clarke in Minneapolis (3:19)

10. Lion’s Love Outtakes (13:10)

11. The Brimberg and Clarke Photo Albums (5:46)

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.


US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied. These rights are for on-site use only per the license agreement. 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424

For public screenings, advertising materials can be requested by contacting

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.


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