Beggar Maid, The
“Exceptional! … The Beggar Maid" is beautifully done … Miss Mary Astor, gives the beggar girl all of the grace and charm she is supposed to have.” — New York Times
In 1920, Triart Pictures was formed to create movies of everlasting value about art and artists. They had famous artists including Dana Gibson, Daniel Chester French and Louis C. Tiffany endorse the idea and choose the painting. Thankfully for posterity, Tiffany also allowed them to film on his estate — the now-legendary Laurelton Hall in Oyster Bay, New York — later lost to fire and then development in the 1950s. Although only a small scene shows a part of the house, the film documents his beautiful estate including his gardens and woods that inspired his art.
With Herbert Blaché as the director and Reginald Denny as the scriptwriter and star, the painting chosen was King Cophetua and the Beggar Maid by Edward Burne-Jones that in itself was inspired by the legend as well as Tennyson’s poem. The two-reel film involves the painter Burne-Jones’ seeing his friend, a young English earl, fall for a beautiful servant girl. The two lovers fear their social differences will bring failure. While Burne-Jones is inspired to use her as the model for his painting, he acts as the matchmaker who brings them together. The casting for the young maid was truly inspired with the hiring of the 15-year-old Mary Astor. Beautiful, charming and talented, Astor gained her first real attention in this role and went on to a fabled career, later co-starring with Humphrey Bogart in The Maltese Falcon.
A new digital version of the film with a piano score by Ben Model!
Institutional Sale Only.
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.