Milestone Films

Filibus: The Mysterious Air Pirate

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The 1915 Italian feminist, steampunk, jewel thief, cross-dressing, aviatrix thriller of the year!

“No other crime thriller compares to Filibus!” exclaimed a Corona Films ad in the April 1915 edition of the Italian film magazine La Vita Cinematografica — and for once the ballyhoo was correct! Directed by Mario Roncoroni and scripted by future science fiction author Giovanni Bertinetti, Filibus is the most exciting, witty, feminist, steampunk, cross-dressing aviatrix thriller you will ever see! Previously seen in a badly subtitled, imperfect version, Filibus was recently remastered by the Eye Filmmuseum, restoring the film’s marvelous range of Desmet tinting and toning in the original nitrate material. To bring the film back to its flavor of the period — when the characters Fantomas and Arsène Lupin were worldwide sensations — Milestone hired young poet Austin Renna to write new intertitles based on an improved translation by Eye’s archivist Elif Rongen-Kaynakçi. To go with this fantastical film, the famed Mont Alto Motion Picture Orchestra AND Donald Sosin have created two new stunning scores!
Flying high above the clouds her dirigible, Filibus, the mysterious sky pirate, is a master of disguise and the scourge of millionaires, banks, and the police. Lowered in a gondola by her henchmen, Filibus steals from the rich and then mysteriously vanishes into the clouds.
However, now, with the famed Detective Kutt-Hendy on her trail, Filibus must up her game. Posing as the Baroness Troixmond, the jewel thief enters the local magistrate’s office and volunteers to help catch elusive Filibus, The criminal, she announces, is none other than the detective himself! There follows a cat-and-mouse adventure that includes an ancient Egyptian statue of Bastet with glowing diamond eyes, knockout powder, mysterious handprints, and a secret miniature camera. Filibus is a formidable opponent, who even cross-dresses and poses as the aristocratic Count de la Brive to court the detective’s beautiful sister while plotting his downfall.
Who is Filibus? Announcing an Amazing Discovery
“Who is Filibus?” In 1915, ads for the film’s release posed this intriguing question, hinting at the mysterious multiple personas of the main character. But interestingly, the identity of the superb Italian actress who portrayed Filibus was never revealed. Her performances as Filibus, the Baroness Troixmond, and the cross-dressing Count de la Brive were subtle, brilliant, and decades ahead of her time. She would have become an international star — if the start of World War I a few months after the film’s release had not cut short her career. For the past half-century, the starring role in Filibus has always been credited to the actress Cristina Ruspoli; her remarkably modern performance has been extolled in books and articles.
But doing research at the Eye Filmmuseum during the summer of 2018, intern David Emery made an astounding discovery. After reviewing photos of Ruspoli, he realized with astonishment that she was not the star of the film, but Leonora, the detective’s sister! So, 103 years after the film was released, the original question took on a deeper meaning… Who was Filibus?
Emery had to become a detective himself to discover her true identity. Luckily, in its vast silent film collection, the Eye Filmmuseum had a number of other films by the Torino-based producer, Corona Films. Going through the collection, Emery screened an obscure film, Signori Giurati (Gentleman of the Jury), and discovered in the minor role of the young daughter Helene, the actress who had starred in Filibus! Luckily, on the film print, she was credited as Valeria Creti, a little-known actress of her day. Now, more than a century after her mysterious starring role, the work of the amazing Valeria Creti will be recognized!

FILIBUS is a Milestone Films/Eye Filmmuseum Release. Directed by Mario Roncoroni. Cinematographer: Luigi Fiorio. Producer: Corona Films, Torino Italy. Starring Valeria Creti, Cristina Ruspoli, Giovanni Spano, Mario Mariani and Filippo Vallino. Release Date: April 4, 1915 Italy. Running Time: 71 minutes. 2K SCAN from a restored negative, tints exactly matched to the original 1915 Desmet tinted-and-toned 35mm nitrate print. Restored by EYE Filmmuseum. Annike Kross, Elif Rongen-Kaynakçi, Frank Roumen, Giovanna Fossati, Jan Scholten, Jeroen de Mol, Leenke Ripmeester. Font design: Sydney Perkins. Intertitles: Austin Renna. Musical score compiled from historic photoplay music by The Mont Alto Motion Picture Orchestra. Additional Scores by Donald Sosin and Joanna Seaton.
 “In an era when cross-dressing and transgenderism are becoming more common, the gender fluidity that lies at the heart of Filibus demonstrates that, more than 100 years ago, women were taking advantage of conventional gender roles (even in crime capers). Indeed, the program book for the Dortmund Cologne International Women’s Film Festival hailed Filibus as “probably one of the first lesbian characters in the history of film.” — The Huffington Post

Read more about Filibus here!

Introduction to FILIBUS's screening at the Brisbane International Film Festival:

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing DVDs, DVD-Rs, or Blu-rays — or streaming — at published home-use sale and rental prices are authorized to use the film only for private home screenings and legitimate classroom showings (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.


Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.


  • CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
  • PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
  • DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
  • K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus. 

For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at:

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424

For public screenings, advertising materials can be requested by contacting

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.


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