From the Archives of Modern Art
Click here to stream now on:
A Milestone favorite, Eleanor Antin is an acclaimed artist/filmmaker working for many years in installation, performance and video, She has built an impressive international reputation based in part on her historical impersonations including Eleanor Nightingale (a Crimean War nurse), the Black King (the leader of a Ship of Fools in a medieval passion play) and in this case, Eleanora Antinova.
In this great project, an archivist attempts to put together the “lost years” of Eleanor Antinova, the once celebrated black ballerina of Diaghlev’s Ballets Russes, when she returned to her native America to eke out a meager living in vaudeville and early movies. Her career in the States is documented through narrative and dance films — recently discovered — which she made back in the Depression, when times were bad, and even ballerinas stooped low. The six short films include comedies, spicy farces, even, alas, a semi-blue movie, along with vaudeville dance numbers and artistic interpretations. Antin has described From the Archives of Modern Art as a documentary fiction.
“The Ballerina and the Poet” Ballerina: Eleanora Antinova. The Poet: Sheldon Nodelman
“2 Untitled Dance Clips” Eleanora Antinova. Phil Orlando
“Love’s Shadow” Ballerina: Eleanora Antinova. The Lover: Luke Theodore Morrison
“Swan Lake” The Black Swan: Eleanor Antinova. The Prince: James Tackett. Stage Hands: Michael Weix. Robert Keppler
“Untitled (Beach Dance)” Eleanora Antinova
“La Porta Chinsa (The Closed Door)” (fragments) Eleanora Antinova
“The impish Antin is incorrigibly funny, a latter-day Fanny Brice capable of transformations a la Tracey Ullman”
— Los Angeles Times
An Explanation of Home, Classroom, and Public Performance Rights
US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied.These rights are for on-site use only per the license agreement. For more information on
Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email firstname.lastname@example.org.
US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or email@example.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.