Mad Love: The Films of Evgeni Bauer
Russian film poet Evgeni Bauer combined the technical virtuosity of D.W. Griffith with the haunting terror of Edgar Allan Poe and the artist’s eye of Johannes Vermeer. He is — perhaps — the greatest film director you have never heard of. During his brief four-year career, Evgeni Bauer created macabre masterpieces. They are dramas darkly obsessed with doomed love and death, astonishing for their graceful camera movements, risqué themes, opulent sets and chiaroscuro lighting. Tragically, Bauer died in 1917, succumbing to pneumonia after breaking his leg.
For many decades, Bauer’s films were buried in the Soviet archives — declared too "cosmopolitan" and bizarre for the puritanical Soviet regime. But with the fall of the Iron Curtain, Bauer’s work has risen like a glorious phoenix out of the ashes of time.
Twilight of a Woman's Soul (1913), Bauer's first surviving film, tells the story of a society woman who kills her rapist and — in its aftermath — must make a new life for herself when her husband leaves her. After Death (1915), adapted from a story by Ivan Turgenev, explores one of Bauer's favorite themes: the psychological hold of the dead over the living. In The Dying Swan (1916), an artist obsessed with the idea of capturing death on canvas becomes fixated on a mute ballerina.
After Death and The Dying Swan star Vera Karalli, the legendary ballerina of the Bolshoi Ballet and Serge Diaghilev’s Ballet Russes de Monte Carlo. Karalli’s colleague, the great Alexander Gorsky, choreographed the dances in many of Bauer’s movies including these two films. Restored by the Russian state archive Gosfilmofond and featuring brilliant new scores commissioned by the British Film Institute, Mad Love is a must-have collection for all lovers of film. Watching these extraordinary films is the cinematic equivalent of peering into the Tsar’s magnificent Fabergé Eggs.
The DVD includes a 37-minute documentary film essay on Evgeni Bauer by Russian film scholar Yuri Tsivian and a stills gallery.
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.