South: Ernest Shackleton and the Endurance Expedition
He planned a brave attempt to cross the continent of Antarctica via the Pole. Raising money for the Imperial Trans-Antarctic (ITA) expedition was a huge struggle. With an eye toward profiting from their adventures, Shackleton hired experienced cameraman Frank Hurley, whose films and photographs would hopefully pay for part of the expedition.
But within a day’s travel (80 miles) of land, the Endurance was trapped in unusually heavy pack ice. Completely stuck, Shackleton and his crew drifted helplessly northward during the long Antarctic winter night while listening to the shrieks and moans of the Endurance slowly being crushed by the mounting pressure.
What followed is one of the greatest adventure stories ever and a unbelievable tale of courage and survival.The crew drifted on ice floes for months before landing on the completely deserted Elephant Island. Though his crew was safe for now, there was no chance for resue. So Ernest Shackleton and five of his men made a 850-mile journey in an open boat with only a sextent to guide them across the roughest seas in the world to miraculously reach Georgia Island. Even then, they had to become the first people ever to climb over the island's forbidding mountain to reach civilization on the other side.
One of the greatest epics in the history of exploration, this is the original 1919 film produced by Shackleton and Frank Hurley. Restored by the British Film Institute with the original tints and toning, this DVD release is one to cherish.
DVD includes an excerpt from Shackleton's last expedition The Quest on which he died in 1922, audio recordings of Shackleton produced in 1909 and 1911 and a second soundtrack by film historian Luke McKernan.
Also available in 35mm prints for theatrical and nontheatrical screenings.
Contact Milestone for price and availability!
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with Jonathan Hertzberg, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.