Cook and Other Treasures, The
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At the Bull Pup Café, Roscoe "Fatty" Arbuckle is chef of all trades and Buster Keaton waits tables in his own inimitable fashion. When a rambunctious customer annoys the pretty cashier, Keaton comes to her defense and all-out mayhem ensues. Arbuckle and Keaton’s dance à la Salome and Cleopatra is a highlight of the dining experience, and they are ably assisted by Luke the Dog who steals the show as the feisty canine defender of womanhood. Long considered one of cinema’s holy grails, The Cook was discovered in 1998 among a cache of unidentified nitrate prints at the Norsk Filminstitutt. Then in 2002, additional footage was discovered by the staff at the EYE Film Institute in Amsterdam! This edition combines the sources to aproximate the original US release and proves The Cook to be one of the finest and funniest of the Arbuckle and Keaton collaborations.
A Reckless Romeo was also a legendary lost film before it too was miraculously rediscovered at the Norsk Filminstitutt. Here, Arbuckle is at the height of his comedic talents as an adventurous young husband exploring greener pastures. But this Lothario’s attempts at indiscretion at the Palisades Amusement Park are filmed by a newsreel cameraman and shown at the local movie house – with the philandering hubby, his wife, mother-in-law and the pretty girl’s boyfriend in the audience! Arbuckle’s "escape" is one of the most memorable endings of any cinematic comedy.
Also included is Harold Lloyd’s hilarious 1920 short Number, Please? (1920, 23 minutes). Shot at Venice Beach, California. Print courtesy of LarCas Productions.
An Explanation of Home, Classroom, and Public Performance Rights
Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.
STANDARD INSTITUTIONAL LICENSING
- CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
- PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
- DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
- K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus.
For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: email@example.com.
The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.
Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing firstname.lastname@example.org.
Information for Exhibitors Screening DCPs and Film Prints
All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: email@example.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.
DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.
DCPs should be returned to:
Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.
Prints should be returned insured for $1,000 to:
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
For public screenings, advertising materials can be requested by contacting firstname.lastname@example.org.
Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.